Steve Harris, the bassist and songwriter of Iron Maiden, reflects on the band's early years, from their unique sound to the making of their classic debut album, and the high-stakes gamble of firing singer Paul Di'Anno. Harris clarifies the band's formation date, refuting the claim that they formed on Christmas Day. He also addresses rumors about the band's early days, including the claim that a man was in the band and appeared on Antiques Roadshow, stating that it was 'absolute rubbish'. Harris discusses the band's logo design, drawing inspiration from Genesis, and the importance of a strong and recognizable logo. He also talks about the band's early days playing covers, choosing less-known songs to stand out. Harris emphasizes the band's distinctive and original sound, which quickly gained them a following. He also discusses the band's songwriting process, highlighting the importance of melody and heavy, good-quality songs. Harris mentions 'Phantom of the Opera' as one of the band's first definitive songs, showcasing a unique writing style and drum arrangements. He also talks about the band's early line-up changes and the addition of Paul Di'Anno, who brought a powerful voice and strong stage presence to the band. Harris reflects on the band's debut album, acknowledging some production issues but recognizing its youthful energy and classic status. He also discusses the band's early live performances, including a memorable gig at the Redford Porterhouse, and their first major tour opening for Kiss in Europe. Harris mentions the band's second album, 'Killers', produced by Martin Birch, and the band's continued success and growth. He also addresses the difficult decision to fire Paul Di'Anno, emphasizing the band's high-stakes gamble and the importance of making the right choice for the band's future.
